Monday, June 8, 2009

Do You Believe In Rock and Roll?



Clothing lines claim it on t-shirts. DJs claim it on the air. Scenesters claim it on the dance floor. Rock and roll is dead. But Friday, May 29, I was transported to the life of a college kid in 1978, watching the future legends of Aerosmith pull off the Draw the Line Tour. Of course, the band I was experiencing was not Aerosmith, but rather Powerspace, whose efforts to stay true to their classic influences and the sound within their souls have succeeded in creating a rock sound that audiences of 2009 can enjoy. Powerspace bared all and laid it down on the line with their fresh-from-the-studio new set as the opening act for Kill Hannah. Asking the audience if they "Believe in rock 'n roll," this band rose to the challenge and proved their ability to channel classics while bringing their energized and raw sound to the stage.

Anyone can pick up a guitar, add some distortion and copy an old solo from their parents' old KISS album. Thanks to the tight groove and colorful arrangements understandably provided by guitarist Tom Schleiter, Powerspace truly rocked. If happiness could be defined by sound, its song would be sung by these guys. Not only did their groove and full harmonies create happy soundwaves, but the guys were happy to be up there. Kevin Kane was a smiling little Ringo on the drums, and bass player Jake Serek was radiant with onstage bliss. I received an apology for a tired set due to studio time when I spoke with guitarist Max Perenchio afterward. But their delivery from beginning to end was anything but tired. New songs like "Red, White and Bruised," "Don't Stop" and another even more rocking tune of which I can't recall the title especially brought an excitement (and even harmonica! Alec Cyganowski channeled Steven Tyler on point throughout this number). Since the title has been lost from my own memory, here is a video to enjoy.

With streaming guitar solos (and well thought out solis, to be exact), Tom and Max's background harmonies add a beautiful warmth to Cyganowski's edgy lead. It really is unfair to single out any member without it leading to a strength provided by another because they all work so well together. The energy onstage creates an atmosphere between the five of them that displays what their hard work and hours spent together can achieve. They all want to be up there, and it shows through the focus I viewed as each member carefully set up, tuned, and checked sound. One may think that after touring as extensively as they have, the guys in Powerspace would be setting up for a show at Double Door like it was no big deal. I admire the technique and dedication that drives this band. It comes through in their passionate (and sweaty) performances.

Check the guitar soli at the end of "Red, White, and Bruised." What fun!

And that is what Friday, May 29 was. Fun. Being transported to a world where hard work and smart musical minds can not only be appreciated but celebrated was a magical and inspiring experience. I give this the Fravel stamp of approval with much pride.

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