Back after a "guerrilla warfare" recording session, Breakers Broken charts new territory with their second release, Reset. After testing out the chosen songs in front of live audiences, brothers Tim and Herf Yamaya with drummer Neal Wehman knocked out a highly-esteemed and collectively produced EP in record (pardon the pun) time.
Now a
t my second hard listen, I am caught in a vat of musical irony. Electro-rock trio Breakers Broken has me groovin' happily down the street with headphones on full volume until I pay attention to what is actually being said. I call this the Ben Folds approach (melancholy/poignant lyrics set to warm, dance-friendly music a la "The Bitch Went Nuts"). That element alone will propel this second release from Breakers Broken to the forefront of different markets outside of their previous Chicago-teen niche into fun drum and guitar driven dance beats to a audience that could consider themselves "smart musicians." The song structures stick to a pop layout for the most part, but are filled with such dense musicality that if delivered any other way, the message posed by the talent in the group would be lost.Reset opens with a track entitled "Last Man on the Planet," and, is in essence is the perfect introduction to this EP. Beginning with a quiet synthesizer melody and growing as each phrase introduces a new instrument, building tension until drummer Neal Wehman drops into the snare and the listener is greeted by the release of Tim Yamaya's soothing yet aggressive voice. The audience is able to hear all of the pieces of Breakers Broken come together before they set out on the trip they're about to take with this newly matured and revamped band. Careful, ladies (or should I warn Tim?), as this song may leave you wondering "Who is Nina?" and contemplating a name change.
"How Novel", an instrumental track, gives the pop ladies a chance to mull over that name change while providing a moment for fellow musicians and instrumentalists to appreciate the merge of acoustic instruments and electronically produced sound. It is almost as if Wehman laid down lyrics in the form of drumming, as his intense sound appears to tell quite a story. If there is one thing this band does right, it is that there is a definite arc to all of their songs, and "How Novel" is a perfect display that the narrator doesn't always have to be the vocalist.
Transition to single-friendly "When She Needs Me" and you'll be ooo-ing and oh-ing along with the perfected vocal blend between brothers Tim and Herf. As the younger of the two, Herf shines in his ability to seamlessly attach his voice to each piece with an uncanny sense of ease. Musical irony jumps out of this song as you may find yourself dancing along until you hear Tim confess he's "feeling cold as snow / this world feels like / livin' on a cannonball / with both hands tied / screaming with your body and soul..."
Perhaps my favorite track on Reset is "Failing System," because it is both perplexing and intriguing. The format is such that you may feel as though you're eavesdropping on something you shouldn't be hearing. But again, Wehman sets the tone with a dance-inducing beat so that by the time Tim's sweet falsetto takes over, your mind and body have already been lost in the atmosphere created by the sensory-encompassing instrumentation and melody. Sing along to "You give me oh-oh-oh" and enjoy the smart production behind the vocal layering, and distortion effects the drive intensity through the chorus and beyond the song's end.
Welcome back the '80s with throwback tune "Girl Behind the Bar" featuring emcee ADD. Tim and Herf's vocals are highly reminiscent of "King of Wishful Thinking" (Go West) throughout the hook until the verse displays a more intent vocal line more prevalent in today's music. Your ears will be saying thank you to the short, sexy, and shredding guitar solo so intelligently inserted before the confident percussion/vocal breakdown. Confidence, hopefulness, and an almost disguised vulnerability drive this song while providing a happy nostalgia.
The story of Reset continues with "The Climb," as each member again takes a term serving as narrator with guitar, keys, and drums tracked over synth. I find Herf's repetitive piano melody haunting as its melodic build somehow reaches inside and confronts the soul.
I am perpetually haunted by the chorus of ending track "Fools and Gold." Wehman's delicate yet aggressive intro adds to the shock at the emotional level in which the vocals enter. "People share stories of fools and gold / time will find people mean so much more." As a heavier rock ballad, "Fools and Gold" may provide some insight as to where these three musicians are now, and how far they've come.
Thanks to the popular convention of bonus tracking, listeners get to hop out of the EP on a happier note with an extended version of "When She Needs Me."
And I'm back to skipping down the street, headphones on full volume, "ooo-ing" and "oh-ing" along with my new iTunes top song.
***Catch Breakers Broken LIVE at Martyrs for their EP release party on Saturday, June 25 2009. It should be a rockin' good time as this band live is an experience all its own.***
